Thursday, August 30, 2012

The Mouse That Roared

When I was a child, our family received a wonderful present every year from Dad’s sister in London, an aunt we children had never met.  A week or two before Christmas, something remarkable would happen.  A box full of luscious Belgian chocolates would travel all the way across the ocean, the same ocean, I was assured, that we’d go swimming in each summer, and that box would magically land at our door in NE Baltimore.  Somehow, my dad’s sister had access to the world’s best chocolates. These chocolates were related  to the Milky Way and Three Musketeer bars on our drug store shelves, in the same way that Baltimore’s jumbo lump crab cakes are related to the frozen hockey puck-like objects that Mrs. Paul sells---that is, in name only.  Aunt Money’s boxes included orange flavored bars, and strawberry flavored bars, white chocolates and dark chocolates, chocolates shaped like seashells and chocolates shaped like tiny pyramids.

The fact that our benefactress was named “Aunt Money,” only added to her mystique.  I had never met anyone named Money before or since (or then for that matter). I pieced together the bits of information I had about this mystery woman and concluded that people named Money could get hold of the world’s finest chocolates whenever they wished and lavish them on children they had never met.  The only other thing I was sure of about Aunt Money was that, based on my dad’s favorite adage, she most definitely did not grow on trees, or presumably, on any particular tree.  
I was about 10 or 11 and we had moved to rural Harford County, north of Baltimore, when Dad announced that his sister was coming for a visit.  By this time, I had learned that Aunt Money actually spelled her name Mani.  This made no sense to me.  If you are named after the most common word for currency, why not spell it correctly?   When Aunt Mani arrived, I found her not at all what I expected.  For all her prominence in the chocolate world, she was no imposing figure, but quite the opposite.  Dad was relatively short, but she was downright tiny. You might call her Mini-Mani.  I would say she was well under five feet in height, and despite her unprecedented access to the best chocolate, she probably weighed no more than a hundred pounds.  She had short dark hair, nicely styled (I later learned she was a hairdresser) and a lilting voice with an indeterminate accent that you might expect from someone with Persian origins born and raised in India and now living in England.  Most importantly for our story, she was also what you might call genteel, perhaps as a result of a proper boarding school upbringing.  The problem was, whatever adjective you might choose to describe the five children of Darius and Mildred Sukhia, unruly, undisciplined, unmannered, uncooperative, unkempt (any word with the prefix “un” seems to work), one word you would never consider would be genteel. 

Sunday, August 19, 2012

Who Can See Better?

Who Can See Better - those who can only see the transitory things of this world, things which are fading away and will soon be no more, or those who can also see the things which are spiritual and remain forever? Do you look forward to coming days on earth only, or that day when you will see God face to face? Can you see better when you are young and your eyes work well, or when you are old, and your eyes are failing, when you have been weaned from the milk of human kindness and long for the wine of heavenly joy?


Thursday, August 2, 2012

Biting the Screen that Feeds You

I grew up watching TV---Robin Hood, Lassie, Rin Tin Tin, Sky King, Superman, to name a few, and tons of westerns: Roy Rogers, Hop-a-long Cassidy, Maverick, Cheyenne, Gunsmoke, Have Gun-Will Travel, The Rifleman, and my favorite, The Lone Ranger.  I think I was twelve years old before I met any three-dimensional people.  In my TV world, I knew that if I fell in a well, there would always be a collie nearby to summon help; if bad guys robbed my wagon train and left me hog-tied, a masked stranger and his trusty Indian companion would come along and make things right; and if I ate all the cream-filled chocolate eggs I was supposed to sell for school, my older brother Wally would somehow get me out of the jam, and ask Mom and Dad to not be too hard on me, because I was just a goofy kid.

In those days, TV watching was a family affair.  We would gather on Sunday nights, for example, and watch Walt Disney's program and Ed Sullivan’s “really big show” and whatever else happened to be on that season.  Mom and Dad would usually be on the sofa with one or two kids, and the rest of us would be prone on the carpet, radiating from the TV with our heads on our hands, or on pillows.  I think it was Disney who pressured us to buy our first color TV when he started broadcasting The Wonderful World of Color, or The Wonderful World of Disney, or The Wonderful World of Disney in Color.  It was broadcast “in living color,” as opposed to what we were seeing on our old TV, (presumably) “dead black and white.” At the beginning and end of the show, Tinkerbell would make splotches of color come out of her fairy wand, but those splotches were rather bland in black and white. 
So, when I was about thirteen there was a major event in our home; our first color TV was delivered.  In fact, it was much more than a TV, it was a called a console, a beautiful piece of furniture, maybe five feet long and three feet high, made of maple as I recall, containing a Zenith TV, a radio, and a stereo phonograph player (our younger readers will be interested to learn that phonographs, commonly called records, were vinyl disks that would play music when rotated under just the right conditions).  The TV was behind little doors that could be closed, but almost never were, because if they were closed, we couldn’t see the magic screen.